Theorizing the moving image. Noel Carroll
Interpreting the moving image. Noel Carroll
Niki and Dante: Aging and Death in Contemporary Romanian Cinema, Maria Ionita
- Contemporary Romanian Cinema The History of an Unexpected Miracle, Nasta Dominique
- East, west and centre : reframing post-1989 European cinema, Michael Gott
- Orizont si stil, Lucian Blaga
Stop the Clocks! Time and Narrative in Cinema, Helen Powell
- Deleuze, Cinema and National Identity Narrative Time in National Contexts, Martin – Jones David
- Romanian New Wave Cinema An Introduction, Doru Pop
- Entry on Romania in the Handbook of Soviet and East European Films and Filmmakers (1992): “Like Romania itself, Romanian cinema has remained obscure. The sparse international distribution of its films has made it remote and unfamiliar. Until recently, it has been aesthetically insignificant, adhering rigidly to the somehow formulaic necessities imposed by film’s illustrative and ideological function in a totalitarian regime. For the reasons, Romanian cinema has not gained the world stature of other Eastern European cinema. (Roof 1992:309).
- with Romanian contemporary cinema present for more than a decade at important film festivals over the world , winning prizes and being an identifiable part of European co-production, distribution and training circuits, the appropriate moment has come to look at Romania’s film history, in an attempt to explain and analyse those aspects that have shaped and made it relatively unique today.
- directors who have been influential upon development and positioning of Romanian film at home and abroad: Dan Pita, Lucian Pintilie, Mircea Daneliouc, Nae Caranfil, Cristian Mungiu
- emphasis on both: socio-historical background that has conditioned the emergence of specific trends (e.g. film minimalism) and cinematically significant characteristics of individual works.
- Balkan and Latin features particular to Romanian films
- soundtracks often prove as important for decoding a film as visuals